- Read the History of the Icon.
- Visit Our Lady of Perpetual Help Radio site to see an explanation of the symbols of the Icon.
- See also Women for Faith & Family page on Our Lady of Perpetual Help.
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Wednesday, June 26, 2019
Thursday, June 27, 2019
Thursday in the Octave of Corpus Christi
John, Chapter 14, Verse 21-24
21 Whoever has my commandments and observes them is the one who loves me. And whoever loves me will be loved by my Father, and I will love him and reveal myself to him.” 22 Judas, not the Iscariot, said to him, “Master, [then] what happened that you will reveal yourself to us and not to the world?” 23 Jesus answered and said to him, “Whoever loves me will keep my word, and my Father will love him, and we will come to him and make our dwelling with him. 24 Whoever does not love me does not keep my words; yet the word you hear is not mine but that of the Father who sent me.
· To feed the hungry;
· To give drink to the thirsty;
· To clothe the naked;
· To harbor the harborless;
· To visit the sick;
· To ransom the captive;
· To bury the dead.The spiritual works of mercy are:
· To instruct the ignorant;
· To counsel the doubtful;
· To admonish sinners;
· To bear wrongs patiently;
· To forgive offences willingly;
· To comfort the afflicted;
In a sense when we have the indwelling, we are like Mary the great mother of God and are compelled to acts of mercy; they are not just a list but a way of being.
Our Lady of Perpetual Help
The devotion to this Marian advocation revolves around the picture of Our Lady of Perpetual Succour, painted on wood, with background of gold. It is Byzantine in style and is supposed to have been painted in the thirteenth century. It represents the Mother of God holding the Divine Child while the Archangels Michael and Gabriel presenting Him the instruments of His Passion. Over the figures in the picture are some Greek letters which form the abbreviated words Mother of God, Jesus Christ, Archangel Michael, and Archangel Gabriel respectively.
· The icon was brought to Rome towards the end of the fifteenth century by a pious merchant, who, dying there, ordered by his will that the picture should be exposed in a church for public veneration. It was exposed in the church of San Matteo in the famous Roman street of Via Merulana, which connects the basilicas of Saint Mary Major and Saint John Lateran. Crowds flocked to this church, and for nearly three hundred years many graces were obtained through the intercession of the Blessed Virgin. The picture was then popularly called the Madonna di San Matteo. The church was served for a time by the Hermits of Saint Augustine. These Augustinians were still in charge when the French invaded Rome (1812) and destroyed the church. The picture disappeared; it remained hidden and neglected for over forty years, but a series of providential circumstances between 1863 and 1865 led to its rediscovery in an oratory of the Augustinian Fathers at Santa Maria in Posterula.
· Pope Pius IX, who as a boy had prayed before the picture in San Matteo, became interested in the discovery. But at that time, the ruins of San Matteo were in the grounds of a convent of the Redemptorists -- the Congregation of the Most Holy Redeemer -- founded by St. Alphonsus Liguori (1696-1787). The Father General of the Redemptorists, Most Rev. Nicholas Mauron, decided to bring the whole matter to the attention of the Pope. The Pope listened attentively and felt sure it was God’s will that the icon should be gain exposed to public veneration and the logical site was their church of St. Alphonsus, standing as it did between the Basilicas of St. Mary Major and St. John Lateran. The Holy Father at once took a piece of paper and wrote a short memorandum ordering the Augustinian Fathers of St. Mary in Posterula to surrender the picture to the Redemptorists, on condition that the Redemptorists supply the Augustinians with another picture of Our Lady or a good copy of the icon of Perpetual Help.
· The Icon meant much to the Augustinians, but when the two Redemptorists came armed with the Pope’s signed memorandum, what could they do but obey? On January 19, 1866, Fathers Marchi and Bresciani brought the miraculous picture to St. Alphonsus’ church. Preparations were now made to inaugurate the new public reign of Our Lady of Perpetual Help. On April 26th, a great procession was staged in which the picture was carried throughout the Esquiline region of Rome. Upon returning to the church, the picture was enthroned over the high altar, in a resplendent shrine-niche especially constructed for it.
· The report of marvelous healings spread rapidly throughout the city of Rome and people came by the hundreds to visit the shrine. Soon the whole area around the altar was filled with abandoned crutches and canes and several whole glass-covered cabinets were filled with gold and silver thanksgiving offerings in the shapes of miniature hearts, arms, legs and other votive offerings. Scarcely two weeks after the solemn exposition of the picture, Pope Pius IX himself came to visit the shrine. He stood quietly before it for a long time and then exclaimed: “How beautiful she is!”.
· Pope Leo XIII, the next pontiff, had a copy of the picture on his desk so that he might see it constantly during his working day. St. Pius X sent a copy of the icon to the Empress of Ethiopia and granted an indulgence of 100 days to anyone who repeated the phrase: “Mother of Perpetual Help, pray for us.”
· Pope Benedict XV had the picture of Our Lady of Perpetual Help placed immediately over his chair of state in the throne room. Here it could be seen by all just over his head, as if to say: “Here is your true Queen!”.
· Pope Pius IX told the Redemptorists, in speaking to them of the treasure he had committed to their care: “Make her known!” It seems as though they hardly needed the exhortation. In the United States, they built the first Our Lady of Perpetual Help church in the Roxbury section of Boston, and it was eventually raised to the honor of a “Papal Basilica” by Pope Pius XII.
· Novena to Sacred Heart Day 8
· Pray the Litany of the Sacred Heart of Jesus
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