Featured Post

Sunday, February 22, 2026

  As we enter this Lenten season, I invite you to support and share the new  Coffee with Christ  audiobook, now available on Audible  Play M...

Nineveh 90 Consecration-

Nineveh 90 Consecration-
day 52

54 Day Rosary-Day 54

54 Day Rosary-Day 54
54 DAY ROSARY THEN 33 TOTAL CONCENTRATION

Nineveh 90

Nineveh 90
Nineveh 90-Love the Lord with all your heart, mind, soul and strength

Bourbon & Cigars

Bourbon & Cigars
Smoke in this Life not the Next

Sunday, 1 March, 2026

 



🎬 That Uncertain Feeling (1941)

Starring: Melvyn Douglas, Merle Oberon, Burgess Meredith
Director: Ernst Lubitsch

What Makes This Film Special

This is Lubitsch in his late‑period mode — lighter, airier, and more psychologically playful than his pre‑Code work. Instead of the sparkling sexual innuendo of Trouble in Paradise, you get a comedy of manners built around emotional hesitation, marital drift, and the strange ways people rediscover each other.

Douglas is at his best here:

  • smooth but not smug
  • wounded but never pathetic
  • witty without ever breaking the emotional truth of the scene

Merle Oberon brings a cool, refined presence that plays beautifully against Douglas’s warmth. And Burgess Meredith — as the neurotic, self‑absorbed pianist — is the perfect destabilizing force.

🧭 Plot in a Nutshell

A married woman (Oberon) develops hiccups — a classic Lubitsch metaphor for emotional blockage — and visits a psychoanalyst. There she meets a temperamental pianist (Meredith) who draws her into a flirtation that threatens her marriage to her steady, affectionate husband (Douglas).

The comedy comes not from slapstick but from the elegant dance of misunderstandings, hesitations, and the subtle ways people test the boundaries of loyalty.

💡 Themes 

1. The Fragility of Contentment

Lubitsch suggests that marriages don’t fall apart from catastrophe but from boredom, routine, and the desire to feel “interesting” again.

2. The Comedy of Self‑Discovery

Oberon’s character isn’t malicious — she’s simply trying to understand herself. The film treats this with gentleness rather than judgment.

3. The Douglas Touch

He plays the husband as a man who refuses to fight dirty. His dignity becomes the film’s moral center — and ultimately its romantic engine.

4. Lubitsch’s Moral Playfulness

No one is a villain. Everyone is a little foolish. And love, in the end, is something you choose again, not something you merely possess.

🍷 A Hospitality Pairing 

This film pairs beautifully with something light, civilized, and slightly effervescent — a nod to the hiccup motif and the emotional carbonation of the story.

Suggested pairing:

  • A chilled white (Riesling or Gewürztraminer)
  • Light European snacks — olives, almonds, a soft cheese
  • A quiet evening where conversation can drift as easily as the film’s tone

A Spiritual Reflection 

The film quietly affirms that fidelity isn’t just about resisting temptation — it’s about remembering the goodness of what you already have.
Douglas’s character embodies Romans 12:10 without ever quoting it:
“Outdo one another in showing honor.”
He honors his wife even when she is uncertain of herself, and that honor becomes the path home.



No comments:

Post a Comment

Domus Vinea Mariae

Domus Vinea Mariae
Home of Mary's Vineyard